2025
Terry Cole, Ivy Lockhart,
Ramona Cano-Daly, Lyric Sullivan
Should
We Gallery
Providence, RI
2024
2nd - 13th August 2024
Gandhi Films
Foundation
Mumbai, MH
Short Film
8 min 14 sec
Explores the intersections of internet-transmitted post-trap 'rage'
music, TikTok aesthetics, and bodily movement against the architectural
and social landscapes of Boston.
Opium Glowboy views "geeking up" as a psychological and physical process
attached to a network of aesthetic cues that hold urgent cultural
significance to the alienation of Gen-Z. Dances, TikTok video effects,
digital synth sounds, distorted trap beats, clothing, and figures of
speech all interact and transfer meaning through a shared 'geeked'
affect and disposition.
In the face of alienation, the film attests to a transcendent,
uplifting, and contemporary shared experience evoked by the digitally
conceived, internet-transmitted music of artists like Yeat, Playboi
Carti, Ken Carson, and others for the adolescents of an internet-raised
generation. Characters' movement to the music straddles the tension
between awkwardness and ecstasy, attempting to reconcile the visual
languages of short-form internet content with those of contemporary
video art.
Video link available upon request.
Screened at
Our Future is a Green Pasture
w/ Alice Burg, Roy Gentes, Mateo Krygowski, KIRAC, and Caveh
Zahedi
2023
Performance
26 min 12 sec
The National Gallery
London,
UK
April 2023
#keithjarrett #darkintervals #chatgpt #liluzivert #creditsuisse #jonimitchell #oiloncanvas #hankiejournal #drake #titties #adinross #touchisonlypossibleattheedgeofspaces #johnmayer #rolex #patek #audemars #gravityandgrace #quartile #perfect #ihatefashion #ihateinstagram #iloveamerica #noautotune #nofilter #2alive #thebubble #kennyG
2022
3 min 14 sec
Digital video and composed piano
2022
TS Film Festival
Rotterdam, NL, August 27, 2023
Small File Media Festival
Vancouver, BC, October 21, 2023
STIFF Festival
Rijeka, Croatia, November 11, 2023
produced entirely using a flip phone. It contains a moving through the city, and it paces around the central question of how different image sensors relate to scale and physicality in fundamentally different ways. The piece contains instances of the camera moving around objects in ways that suggest the inherently object-oriented qualities of the image itself. It was made over the course of several months in 2022 living in Boston, and represents an act of holding onto experience and vision through the impressionism, or rather, 'compressionism' that older, more crude digital technology has to offer.
2023
26th & 27th May 2023
The Grey Space in the
Middle
The Hague, NL
Two person show of works on paper with artist Lennart Heiner.
2019
5thJune 2019
Museum of Art & History
Santa Cruz, CA
16th & 17th August 2019
Felix Culpa
Gallery
Santa Cruz, CA